Thursday, March 31, 2005
Just A Little Bit
I'll keep this short: Har Mar Superstar, Ben Lee's opener on Monday night, threw his pubes at the audience. Yeah, I said pubes. I'll write more tomorrow if I have time. Actually, it'll probably be later since I'm seeing Stars and Feist tomorrow. Amy and Leslie -- hot!
NP: Oasis - Lyla
posted by Hanson |
12:47 AM
Tuesday, March 29, 2005
WOOOO!!!
RILO KILEY IN VANCOUVER!!! JUNE 16TH!!!! YAAAAAAAAAAAAAAAAAAA!!!!!
I was going to post about Ben Lee's show last night, but way too hyper now!!!!
NP: (nothing)
posted by Hanson |
8:40 PM
Sunday, March 27, 2005
Going Through Withdrawal
Curling season ended last week, and I'm already missing it. The hurry-harding, the mad sweeping, the useless yelling: I'm going to have to put a lid on it until September, which seems eons away. Just when I'm getting the hang of it again, I'll need to wait six months to throw my next rock -- *sigh*. Hopefully, I can get my ass to that summer bonspiel in the Okanagan in August. A week of curling, camping, and drinking in 40-degree heat sounds pretty damn appealing!
My blitz of shows continues tomorrow with Ben Lee and Har Mar Superstar at Richard's. Pedro the Lion was good in an all-too-brief set last night opening for Low, even pulling out old gems like "When They Really Get to Know You They Will Run" and "Bad Diary Days". The latter really pleased Alicja, while the former elicited the loudest "wooooo" from me all night. In between songs, Dave told us that apparently, there are convicted felons named David Bazan and Timothy William Walsh in the US system, which made their border crossing oodles of fun. Man, I sure hope there aren't any terrorists that share my name, cos I'm really not that into anal cavity searches.
At this point, I can talk about Low's set or go to sleep. I think I'll choose option #2, since it'll be a long day for me tomorrow (but in a good way).
NP: The Softies - My Foolish Way
posted by Hanson |
11:28 PM
Saturday, March 26, 2005
Emotive != Emo
I was going to go to sleep, but then I heard the first few chords of Bright Eyes' "First Day of My Life" coming from the TV. They were playing the video on The Wedge, MuchMusic's indie/underground show, so naturally, I had to watch. Simply put, it's one of my favourite videos in recent memory. The concept is simply: a bunch of people -- mostly couples -- sitting on a couch with headphones on, presumably listening to the song while the camera films their reaction. You can watch the video here.
The video works because the people in it don't seem to be actors; they look like real people behaving like real people do, doing whatever cutesy stuff they were doing, which is perfect for the song. For those who don't know, "First Day of My Life" is a sentimental love ditty done with an acoustic guitar accompanying Conor's fragile vocals. Sample lyrics: This is the first day of my life / I'm glad I didn't die before I met you / Now I don't care, I could go anywhere with you / And I'd probably be happy. The rest of the song echoes pretty much the same sentiments. Yeah. I don't know where I'm going with this except to say that I really like the song and the video. Yeah.
Anyway, I didn't go to the curling club party tonight, nor did I go see Bella at the Brickyard. After work, all I wanted to do was go home, which was precisely what I did. I got a lot of stuff done today, so perhaps I won't have to go in on Sunday anymore. Ah, who am I kidding....
FYI, the Decemberists rescheduled for April 30th. At the Commodore. Wow. The Decemberists headlining the Commodore. Wow. That's like Metric headlining the Commodore. Wow.
NP: (nothing)
posted by Hanson |
12:42 AM
Friday, March 25, 2005
Workin' For the TRASH
So while everyone is having a Good Friday tomorrow, vegging, resting, or doing whatever people do on days off, I'll be toiling away at work – like I’ve done everyday except for two this month. Why oh why, you ask? The reason is two-fold. First, we've got a huge deadline at the end of the month, and I intend to finish my part of the work in time. I've never missed a deadline, and I'm not about to start. Second, I'm going to be need a few days off in April so that I can get my ass to lovely Pittsburgh, PA for "TRASHionals 2005: The Fish That 8 Pittsburgh".
I've been going to TRASHionals, the national tournament for pop culture quizbowl, for four years now (Ann Arbor, Boston, Chattanooga, and now Pitt), enjoying each trip thoroughly. Unlike most national-level quiz bowl tournaments, TRASHionals isn't full of hardcore intense people who are no fun to be around. Not that they're not serious about things; it's just the atmosphere is a lot more congenial and relaxed, and the experience is usually more positive as a whole. And of course, I'm better at this than regular academic quizbowl. At TRASH, I'm a passably mediocre player at the national level, whereas at regular quizbowl, I could barely be that at the /regional/ level -- and we play in a pretty weak region.
So. On to other things. Last week at this time, I was grooving to the tunes of Joseph Arthur at the Red Room. He played solo, but you wouldn't know it from hearing the recording of the show -- perhaps the recording that he sold /minutes/ after his set was over. Yeah. He had a few computers going, burning the entire set on to CDs and selling them, along with a copy of his latest album, Our Shadows Will Remain, for a mere $20. Pretty cool, huh? The quality was great too since it was recorded directly off the soundboard.
So like I was saying, he was up there by himself, but he had a shitload of pedals with him. As he was playing a rift or tapping a beat on the side of his guitar, he would record it on the spot using the pedals. By doing multiple times and overlaying one track over another and putting them on a loop, he was able to create a full band sound with just one dude on stage. It was wicked to see him do that, even though he did the same thing when I saw him a couple years ago. In between (and during) his songs, he'd go to the back of the stage and paint on a canvas he'd set up, sometimes singing as he was painting. That was pretty wicked too. Oh. And the way he did his songs -- he sung most of them as if he were singing harmony -- really put a different spin on things. The guy is truly talented, and if he's playing in your neck of the woods, I'd highly recommend you check him out.
Oooh. Daily show. Gotz to go.
NP: Bella - Upstairs
posted by Hanson |
12:07 AM
Wednesday, March 23, 2005
Theresa Watch: 2005
Theresa Sokyrka, the bespectacled Saskatchewanian (?) who made me hit re-dial several hundred times over the summer, will be releasing her debut full-length entitled These Old Charms next month. Not surprisingly, it'll contain several songs she did on Canadian Idol, including "Summertime", "Good Mother", and "God Bless This Child". But perhaps more exciting is the fact that it'll also feature a few songs written by Theresa herself, which should be interesting. If she could write as well as she could sing, we could be in for a real treat.
By the way, Theresa's record is being released ghetto-style, i.e. without label support of any kind -- indie, major, or otherwise. This is probably understandable, since I doubt it'll have very much commercial appeal. Basically, it's a record of Lilith-y jazz standards, covers, and originals, which might sell a few copies in 1997. But now, I doubt there'll be very big market for it. She might sell a few thousand copies (I've already ordered mine), but I doubt it'll break Kelly Clarkson-style. Still, I hope she tours behind this so that I'll get a chance to see her. Those glasses really get me :-)
Oh, another =W= update: I scored 4 tickets from the pre-sale (fuck yeah!), all of which have been claimed. I think they sold out pretty fast, but there's still the general sale on Saturday if you didn't get ticket.
And speaking of buying shit, boy did I do some splashing out today. After buying those =W= tickets, the Gilmore Girls season one box set, and a few CDs -- the Magneta Lane EP, a Shivaree album and single, the new Stereophonics album (I didn't even know they had a new one until I got to the record store), and the Theresa record -- I'm down almost tree-fiddy. And it could've been more -- if they had the wonderful (and universally lauded) Picaresque and the new Ben Lee, which I still haven't heard yet. Good thing I know I (most likely) won't be unemployed any time soon....
(Getting tired now. I guess Joseph Arthur and His Amazing Array of Pedals will have to wait until tomorrow)
NP: Magneta Lane - Ugly Socialite
posted by Hanson |
10:41 PM
=W=, Part Three
Apparently, there's an internet pre-sale for the Weezer show tomorrow at 10:00am. There's a 4-ticket limit (I don't know if that's per-order or per-account), so let me know if you want me to get you a ticket. I'm going to pick up the maximum since I don't think I'll have a problem getting rid of the one ticket that hasn't been claimed yet.
In other show news, Magneta Lane will be opening up for the mighty Sloan on May 5th. Hmm....
NP: Neko Case - Soulful Shade of Blue
posted by Hanson |
12:02 AM
Tuesday, March 22, 2005
=W=, Redux
The more I think about it, the more psyched up I am about seeing Weezer live again. First, I didn't think I'd get a chance to see them play anything smaller than a theatre, but now, I'll get to seem them in a club (albeit a big fancy one). Second, I didn't think I'd get to see them this soon, seeing that their new album won't drop until May. In fact, Vancouver will be their first show in years, which should make it even more interesting. And third, it's fucking Weezer! Pinkerton -- besides being one of my favourite albums of all time -- just hits so close to home. Every song, every chord, every lyric -- it' scary how much I can relate to it.
Think about it. Both Pinkerton and I have heavy Asian influences. We both whine /all/ the time. Compared to our peers, we're both on the short side, kind of quirky and awkward, and super-loud or awfully quiet depending on when you get us. We're both painfully raw, seething emotion and wearing hearts-on-sleeves, yearning for something more but almost resigned to the fact that we'll never get it. (Every time I pin down what I think I want it slips away). And we're both geeky, an acquired taste not really suited for mass consumption. I guess if I were a record, I'd be a critically-acclaimed commercial flop follow-up to a multi-platinum smash. I guess I could do worse.
NP: Coldplay - The Scientist
posted by Hanson |
12:33 AM
Monday, March 21, 2005
=W= Lands in Van
Weezer! Commodore! April 26th! This will rule all schools!
NP: (nothing)
posted by Hanson |
8:51 PM
Weekend Update Sans Tina Fey
So this weekend was rather meh. It started inauspiciously on Friday, as I learnt the terrible news that the Decemberists -- easily a top-five of mine -- got their gear jacked by a bunch of punk-ass bitches, which led to the postponement of their show here on Saturday. As a make-up thing for the cancelled show, we wanted to hang out at the Trap instead, but they were packed when we got there. So we decided to go bowling instead, and after walking in the rain for 15 minutes, we found out that they too were full.
As a third option, we went for karaoke, which is never a bad thing. It was going all right until they kicked us out after two hours. WTF? We've never been kicked out of karaoke before closing time! I guess there must've been a big line that night. In the short time that we were there, I got in the Weezer trifecta ("Butterfly", "Buddy Holly", and "Say It Ain't So"), Coldplay's "The Scientist", "Breathless" by the Corrs (though I did the Emm Gryner version), as well as "Lala", the Ashlee Simpson classic (I went nuts during the chorus). We even tried to pull a Bruce Willis (i.e. do Linday Lohan), but we realized shortly after "Rumors" started playing that we only knew the chorus. A valiant effort, I must say. I also tried to mix it up and not go back to the well too much, forgoing all the Brit stuff like Radiohead, Oasis, Keane, etc. that I usually do. And no Fiddy, "Dirrty", or "Sweet Caroline"! That has to be a first, since we do Neil "I Will Smack You In the Mouth!" Diamond /every single/ time. The one big disappoint at karaoke (besides the crappy Sangria) was the fact that they didn't have Kelly Clarkson's "Since U Been Gone". I wanted to pull a Ted Leo and do the whole falsetto thing during the chorus, but alas, they didn't have the song. Dang. I /really/ wanted to sing it...
So I guess with karaoke, the weekend wasn't totally sucky. I suppose it could've been better -- like if I didn't work 3/4 days on both Saturday and Sunday. But I suppose nobody forced me -- I just wanted to get my shit done. Some free time would've been nice though....
Oh shit! I wanted to write about the super-awesome Joseph Arthur show on Thursday! I guess I'll do that tomorrow.
NP: Bright Eyes - Mushaboom (Feist cover)
posted by Hanson |
12:23 AM
Friday, March 18, 2005
Boo!!
I never post from work, but this is an exception. The Decemberists show on Saturday has been postponed because some assholes stole their gear. FUCK!! That's all the gear they had! Plus I was looking forward to a picaresque Saturday night out, and now, ruined. Fuck the hooligans, I say. Suffice it to say, I'm beyond pissed....
NP: (something angry)
posted by Hanson |
9:00 AM
Wednesday, March 16, 2005
Slean!
As expected, Sarah Slean put on another wondrous performance last night. After abbreviated open sets by Jeremy Fisher (think Jason Mraz) and Jorane (Quebecois cellist who sang in accented English), Sarah took to the stage with a full band, even singing a few of the new songs sans keyboards, unthinkable for Slean circa 2001. When not tickling the (fake) ivories, she moved around the stage like a hyperactive 12 year-old, as animated and theatrical as I've ever seen her. Wearing a red dress, a little black jacket, fishnets, and black boots (mmmmm....), she looked hotter than hot, which was exactly how she sounded. "Climbing Up the Walls" was haunting, "Me and Jerome" was perfect, and the new songs sounded even better than they did on the record (especially "Mary", which I thought was a little meh on Day One). My only complaint was that she had three songs on the paper towel setlist that -- for whatever reason -- she didn't end up doing. I would've loved to hear "Drastic Measures", "Bank Accounts", and "Eliot", but alas, she decided not to do them. I guess you can't win them all!
Tomorrow's Joseph Arthur show will be my first solo one of the year, which is really quite amazing since it's already the middle of March. Usually, I'll go to a show alone once every month or so, but I've gone two and a half months this year without having to do that. In fact, the last show I went to alone was Ben Lee and Pony Up! back in October of last year, which would make it almost five months! Gee, has it been that long?
In other news, Nicholas Brendon has been cast as a cook on the new Fox sitcom based on the life of Tony Bourdain. Wow. I don't which part of that is weirder -- that Xander will be somebody else, or that Tony-fucking-Bourdain is being turned into a sitcom!
And oh! Alaska! will be opening up for Ash and the Bravery on March 31st. Too bad I'm seeing Feist and Stars already...
NP: John Vanderslice - MGM Endings (record of remixes of songs from Cellar Door)
posted by Hanson |
11:59 PM
Monday, March 14, 2005
Curling + Pulled Pork = Hogasm
The curling tournament today was a whole lot of fun. We didn't exactly do well, but that's not the point. I got both Alicja and Peter curling for the first time, and I think they both enjoyed it. (I suspect the three pitchers of Pale Ale didn't hinder our enjoyment either). Afterwards, we stuffed ourselves with an assortment of meats at Memphis Blues Barbecue, followed by gelato. By the end, I could barely move -- and I had to go to my regular Sunday night curling too! Even though I curled much better at night, we still lost a close game. Oh well. I don't curl for the glory (such as it is).
Another workweek begins anew tomorrow. I think I'll only go in for a half-day on Saturday since I want to be all rested for the Decemberists show. It will be so fucking good, seeing them again. I can't wait!
NP: (nothing)
posted by Hanson |
12:29 AM
Thursday, March 10, 2005
Doing Chicks
Ben Gibbard did it with "Complicated" and "Girls Just Wanna Have Fun." Pedro the Lion did it with "Fade Into You." Travis wows crowds with live renditions of "... Baby One More Time." The Flaming Lips recorded "Can't Get You Out of My Head" for an EP. And of course, Snow Patrol's "Crazy In Love" even has the Jigga rap part. Now, we have Ted Leo doing "Since U Been Gone". Is it OK to officially declare it as a hipster-sanctioned guilty pleasure now? (Pitchfork already did it months ago). Yes, yes. This one will eventually be karaoked.
NP: The Decemberists - On the Bus Mall
posted by Hanson |
12:23 AM
Wednesday, March 09, 2005
Seriously. WTF?
The daily re-enactment of the Michael Jackson trial is a little disturbing. Why a network would want to do this is beyond me (and don't even get me started on the people who actually watch this unironically). And the actors on it? I mean, really. Could they possibly parlay this into anything good? "Yes, I played Michael Jackson's accuser's brother on E!'s re-enactment of his child molestation trial, and I'd love to work with Mr. Hanks and Mr. Spielberg on their next project." It's like shooting yourself in the face and expecting to win a beauty pageant -- it's not going to happen. As an actor, I don't know how much lower you can go.
Keane is at the QE Theatre on May 10th. I don't think I'm going since it'll be hella expensive /and/ it'll a sit-down thing. Then again, I might change my mind. You just never know with me and shows :-)
NP: The Decemberists - Eli, the Barrowboy
posted by Hanson |
12:05 AM
Tuesday, March 08, 2005
Top 37 of 2004: Part VII
I know it's been more than a month since the last entry, but I'm going to finish this thing off, damn it! Four down, three to go. If you read this semi-regularly, you should be able to figure out what the last three are. Anyway, blah.
7. Annie: Anniemal
Holy gees. Did this come out of nowhere or what? Ostensibly a dance-pop album, Annie and her producers do it with such style, it goes far beyond that normally limiting genre. Fusing club beats, infectious melodies, and some darn good songwriting, Annie doesn’t dwell on a hook or a chorus – even though most of them are gems. Instead, she relies on conventional pop-song structures, (mostly) forgoing the repetitiveness (e.g. chorus ad nauseam) found in most dance tracks. Herein lies her strength – the shelf life that Anniemal has in your CD player. I could listen to “Heartbeat” on repeat for an hour; it just doesn’t get boring. That’s something.
6. Sarah Harmer: All of Our Names
Perhaps the best live set I’ve seen from Sarah Harmer was January of 2004 when she played solo at Rock for Choice. With just a guitar accompanying her on stage, she grabs you with the simplest change of inflection. Here, on her second solo album, her best songs are the stripped-down ones (e.g. “Greeting Card Aisle,” “Tether”, and “Dandelions in Bullet Holes”). A voice like hers doesn’t need much to achieve greatness, and with a few good songs, some light guitar strums, and those wonderful, wonderful pipes, you’ve got magic. On this record, she got her Wicca on.
5. Stars: Set Yourself on Fire
This album lit up the Canadian charts, staying a record 12 straight weeks atop Chart Magazine’s college radio playlist. It’s easy to see why, as Stars make pop music that can suit any mood. From the beautiful, dramatic duet of “Your Ex-Lover’s Dead,” to the bombastic “Ageless Beauty,” to the understated “Celebration Guns,” DJs have a bevy of choices when it comes to the tone they want to convey. That Stars can shift seamlessly from style to style is an asset that few bands have, which is another reason why I rate this record (and Stars) so highly.
4. Sarah Slean: Day One
When I first heard Sarah Slean, her piano and her voice were the only two vehicles for her musical expression. Fast-forward six years, and her arsenal has grown by leaps and bounds. From the opening of “Pilgrim” – electric guitar, percussion, and bass, nary a piano key to be heard – you could tell how much she has developed as an artist. Confidence has replaced shyness, and her evolving sound continued where Night Bugs left off. The rhythm section became a focus on this record, as percussion and bass were featured players instead of merely sidemen. And her voice. God I love that voice. Here, it was unleashed. Judging by the trajectory of her growth as an artist, that opera she’s working on should be quite interesting indeed.
NP: Shivaree - Pimp
posted by Hanson |
12:11 AM
Monday, March 07, 2005
Many Words to Say Only A Little
I have an extra ticket for Sarah Slean's show on Tuesday, March 15th (showtime 9-ish, 9:30, Sarah comes on closer to 11). If you're planning to go but haven't picked up a ticket, let me know. Actually, it's Janis' ticket, but I currently have it. Actually, it's at will call, since I haven't picked them up yet. Actually, it's still at Ticketmaster, since tickets aren't delivered to will call until the day of the show. Actually, the tickets aren't anywhere because they haven't been printed yet. But you know what I mean. $25 bucks or whatever you can convince Janis to take and it's yours.
NP: (The Daily Show)
posted by Hanson |
11:02 PM
Double Dose of the Dark
Saw me a couple of darkish movies over the last few days. First was Friday night, when I finally got to watch the Donnie Darko Director's Cut DVD that I bought a fortnight ago (man I've wanted to use that word for a long time). Without going into it too much, I have to say I really liked it. The star, of course, was a really intriguing story/mindfuck, but all the "trimmings" that came with it were excellent as well. I especially liked the scene when Donnie walked Gretchen home after they found out that school was canceled. Donnie's awkwardness towards the end there and how he got mad at himself for being so awkward -- talk about hitting close to home. And that scene when Gretchen grabbed Donnie and kissed him out of nowhere -- that one I quite liked. I guess I'm just all about girls taking the initiative.
Then on Saturday after work (yes, a full day of work at *work*), I saw Keanu "Neo" Reeves and his two facial reactions in Constantine with Alicja. That one I also liked, but in a more nice-effects-and-good-action sort of way. Put it this way: I'm glad I saw it and I would see the sequel if they made one, but I probably won't buy the DVD and re-watch it several times (like Donnie Darko). And having good company always makes the movie better -- especially when she could point out Gavin Rossdale, whom I totally didn't expect to see in a movie (what, just cos Gwen did it, he had to do it too?). Anyway, I would've loved to hear her take on the thing, but since it was a late show, I didn't get the chance. There's always later, I suppose.
Work tomorrow. Sleep now. The six-day workweek begins anew!
NP: Garbage - Why Do You Love Me (yay, new Garbage!)
posted by Hanson |
12:36 AM
Thursday, March 03, 2005
So Succexy
With Metric on the 7th, and Shivaree on the 10th, April is stacking up to be very March-ish indeed. Those shows take me up to 6 for the second straight month. Obviously, I'm looking forward to seeing Emily's robot dance again, but I'm (almost) as eager to see Shivaree as well. I mean, Ambrosia Parsley? Dang! I dare you to find someone of sane mind that will deny her hotness.
I got to work at 7:15 this morning because I had to leave early for an awards thing at school. Suffice it to say that the place was pretty empty when I got there, save for a few early risers. I've never liked getting up so early, especially when I have to put in a full day of work. I suppose that's just my laziness talking. Still, I can't help but think that I'm a better worker when I'm fully rested, which is about 6ish hours a night by my current standards. Like that guy said, there's never enough time. If only I didn't have to spend close to 2 hours commuting everyday...
Speaking of the awards thing, I ran into a co-worker there, which I didn't really expect since it was a Business faculty thing. Again, I reaffirmed my reputation of taking shitty/blurry pictures. At some things, I can't help but suck. But I suppose I won't get better unless I work at it, eh?
BTW, Lost is probably my favourite thing currently on TV. It's the most consistently compelling thing on the air right now, especially with the recent idiocies of the titular characters of Gilmore Girls. (Why has Lorelei become a compulsive liar and Rory a flaky valley girl?). There are so many things I want to say/speculate about the show, but we'll save that for another day.
NP: The Blow - The Sky Opened Up Like the Tide
posted by Hanson |
11:50 PM
Wednesday, March 02, 2005
What Is Rock?
So what makes a rock song? Conventional theory would suggest that an electric guitar, an electric bass, and some drums comprise the "rock sound." Some might go as far as suggesting that those three instruments are the pillars of rock, each a necessary condition of rock-ness. Now, if that definition were to stick, would a band like Sleater-Kinney not be considered rock since they don't have a bass player? Well, you say, "rock = guitar + drums" then. To that, I have but one word: Keane. No guitars, and yet they're still considered a rock band. Where does that leave us? Drums? Surely that can't be it.
No, drums ain't it. Where that really leaves us pretty obvious (at least to me) -- that the word "rock" totally lacks meaning in the musical context. It's basically just an easy way of describing loud-ish, mostly-non-techno pop music. I suppose it's better than calling that. But really, it just goes to show how silly people's near-ideological devotion to "the rock" is. The same thing applies to the word "indie," which is almost equally meaningless. (Yes, I fully realize the irony of this being posted on "My *Indie* World").
That said, I use both those terms frequently because it's easier than using (pretentious) music critic words when describing music to other people. To me, they're just good shortcuts; it's easier to say "indie rock" than give a five-minute spiel about what I'm really into.
[insert segue here]
Lately, I can't stop listening to Coldplay's "The Scientist" and the Blow's "Hey Boy" and "Hock It". I never really appreciated "The Scientist" until recently, and now I'm all over it. Meanwhile, the Blow -- lyrically, vocally, and musically -- just, uhm, blows me away. The Poor Aim: Love Songs record, featuring the aforementioned songs, is especially good. I'd check it out if I were you (if you could find it, that is).
NP: The Blow - Hey Boy
posted by Hanson |
11:46 PM
Tuesday, March 01, 2005
Back to Her
I'm listening to Back to Me, the new Kathleen Edwards record, while finishing up some last minute studying for my midterm tomorrow (FYI, she's on Letterman tonight). It's been spun twice, and upon first listen, it's both countrier and glossier. Right now, I'm liking it, but it ain't no Women King. And I can see why people are calling it Failer II, which is not necessarily a bad thing, seeing as the original was my 5th favourite record of 2003. I think I'll reserve further commentary until I give it a few more listens.
In more show news, Snow Patrol's at the Vogue on May 6th. After missing them twice last year, I finally get to see them!
NP: Kathleen Edwards - Somewhere Else
posted by Hanson |
10:37 PM
|
